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A BEFITTING SWANSONG

This is a very personal response to a unique film experience gifted by The Song of Scorpions, writes Janaky Sreedharan

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STRAW DOGS: POETICS OF VIOLENCE OR MISOGYNY?

Based on a novel by Gordon Williams – ‘The Siege of Trencher’s Farm’, it was also my first exposure and my starting poi...

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THE MAN WHO WOULD NOT BE KING

More than 2500 years after he preached his eight-fold path, does the Buddha’s example matter to a world divided by multiple human-made co...

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THE ADDA OF GANGA VIHAR!

Aparajita Krishna dives deep to the not so long history of Ganga Vihar and what it holds together as a past unimaginable and r...

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THE ADDA OF GANGA VIHAR!

Aparajita Krishna dives deep to the not so long history of Ganga Vihar and what it holds together as a past unimaginable and r...

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ACTOR ADVAIT KOTTARY WRITES HIS DEBUT NOVEL

Advait Kottary’s debut novel SIDDHARTHA: THE BOY WHO BECAME THE BUDDHA takes readers on a fictional journey through Buddha’s formative years, reports Th...

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RED, BLUE, GREEN, YELLOW, BLACK AND WHITE

In a social media world teeming with every banality that goes for poetry, Prerna Gill’s is a refreshing voice that does not pander to eas...

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I WOULDN’T HAVE IT ANY OTHER WAY!

Vinta Nanda explores the making of a poet, reaching nowhere obviously, because ‘if we knew what makes a poet, everyone w...

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'Bust'ing many a myth: B 32 Muthal to 44 Vare (B 32 to 44)

Janaky Sreedharan asks, “How do we talk about a film that foregrounds the bust sizes of human beings ranging from B 32 t...

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A MAN FROM MOTIHARI: ABDULLAH KHAN

\Aparajita Krishna writes, “The Boy of ‘Patna Blues is now A Man From Motihari!”